Sonia Balassanian (New York/ Armenia)has her nude male protagonist vanish and reappear in another kind of artificial structure, a net of subterranean clay containers. For Balassanian, a simple rural operation of the wine growing peasants back in her home country serves as an existential metaphor. This work which simultaneously links the temporal safety of a manmade structure with the instability and vulnerability of a human being, that is technoid with humanoid contents, will be seen in the entrance zone of "navelGaze".